The On-Line Encyclopedia of Bongard Problems

Search: author:Aaron David Fairbanks

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BP822

Two drawn polyhedra are duals vs. not so.

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	CROSSREFS	`Adjacent-numbered pages: BP817 BP818 BP819 BP820 BP821 * BP823 BP824 BP825 BP826 BP827`
	KEYWORD	`math, 3d, unorderedpair`
	AUTHOR	`Aaron David Fairbanks`

BP813

Representations of natural mathematical objects vs. representations of arbitrary objects.

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	COMMENTS	`This is a very fuzzy definition. Some left examples arguably should be placed on the right, since the particular way they are represented is arbitrary--the Platonic solids EX6730 and primes EX6734 especially, as these show arbitrary placement and arrangement of objects. Furthermore if arbitrary representations are allowed one cannot be sure for example the right hand drawing of random numbers EX6740 does not represent "numbers" in general. Still this Bongard Problem has been solved by people.`
	CROSSREFS	`Adjacent-numbered pages: BP808 BP809 BP810 BP811 BP812 * BP814 BP815 BP816 BP817 BP818`
	KEYWORD	`fuzzy, abstract, stretch, math, solved, collective, experimental, dithering`
	AUTHOR	`Aaron David Fairbanks`

BP812

Aesthetically pleasing vs. not so.

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	CROSSREFS	`Adjacent-numbered pages: BP807 BP808 BP809 BP810 BP811 * BP813 BP814 BP815 BP816 BP817`
	KEYWORD	`easy, fuzzy, abstract, notso, stretch, anticomputer, subjective, invalid, experimental, funny, dithering`
	AUTHOR	`Aaron David Fairbanks`

BP811

Archimedean tiling (regular polygons, all vertices look the same) versus two-uniform tiling (regular polygons, two different kinds of vertex).

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	CROSSREFS	`Adjacent-numbered pages: BP806 BP807 BP808 BP809 BP810 * BP812 BP813 BP814 BP815 BP816`
	KEYWORD	`nice, math`
	CONCEPT	`infinite_plane (info \| search),` `tiling (info \| search),` `symmetry (info \| search)`
	WORLD	`wallpaper_tiling [smaller \| same \| bigger]`
	AUTHOR	`Aaron David Fairbanks`

BP810

Figures can be transformed into one another by smooth stretching (intersection points stay constant; paths connecting those points remain), while remaining within the 2d box vs. movement out of the plane required.

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	CROSSREFS	`All examples here fit left in BP809, a version where the figures are allowed to pass through themselves while being deformed.` `Adjacent-numbered pages: BP805 BP806 BP807 BP808 BP809 * BP811 BP812 BP813 BP814 BP815`
	KEYWORD	`nice, math, unorderedpair, traditional`
	CONCEPT	`topological_transformation (info \| search)`
	WORLD	`two_homeomorphic_figures_made_of_curves [smaller \| same \| bigger]`
	AUTHOR	`Aaron David Fairbanks`

BP809

Figures can be transformed into one another by smooth stretching (before and after there are the same crossroad-points; there is a curve connecting points before if and only if there is a curve connecting those points after) vs. not so.

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	COMMENTS	`Left examples are topologically homeomorphic figures.` `For some examples one can imagine pulling the shape "out of" the 2d square in 3d in order to transform it, and then laying it flat back in the 2d square. See BP810 for the version where this is not allowed.`
	CROSSREFS	`Adjacent-numbered pages: BP804 BP805 BP806 BP807 BP808 * BP810 BP811 BP812 BP813 BP814`
	KEYWORD	`nice, math, unorderedpair, traditional`
	CONCEPT	`topological_transformation (info \| search)`
	WORLD	`two_figures_made_of_curves [smaller \| same \| bigger] zoom in left (two_homeomorphic_figures_made_of_curves)`
	AUTHOR	`Aaron David Fairbanks`

BP806

Image of repeating wallpaper with only 3-fold rotational symmetries versus image of repeating wallpaper with some other symmetries.

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	COMMENTS	`Left examples have wallpaper symmetry group p3 (a.k.a. 333).`
	CROSSREFS	`Adjacent-numbered pages: BP801 BP802 BP803 BP804 BP805 * BP807 BP808 BP809 BP810 BP811`
	KEYWORD	`nice, math, bordercontent`
	CONCEPT	`rotational_symmetry (info \| search),` `three (info \| search)`
	WORLD	`wallpaper [smaller \| same \| bigger]`
	AUTHOR	`Aaron David Fairbanks`

BP805

Bongard Problem sorts example below on the left versus Bongard Problem sorts example below on the right.

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	COMMENTS	`See BP372 for the version of this with BPs with black shapes as examples instead of boxes.`
	CROSSREFS	`Adjacent-numbered pages: BP800 BP801 BP802 BP803 BP804 * BP806 BP807 BP808 BP809 BP810`
	KEYWORD	`nice, dual, handed, leftright, creativeexamples, structure, contributepairs, rules`
	CONCEPT	`bongard_problem (info \| search),` `categorization (info \| search),` `choice (info \| search)`
	WORLD	`boxes_bdimage_six_per_side_extra_below_clear_sort [smaller \| same \| bigger]`
	AUTHOR	`Aaron David Fairbanks`

BP801

Number pointed to on number line is "important" mathematical constant vs. not so.

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	COMMENTS	`This is the "harder version" of BP505.`
	CROSSREFS	`Adjacent-numbered pages: BP796 BP797 BP798 BP799 BP800 * BP802 BP803 BP804 BP805 BP806`
	KEYWORD	`hard, less, abstract, math, subjective, challenge, right-unknowable, collective, experimental, finishedexamples`
	AUTHOR	`Aaron David Fairbanks`

BP797

Image conceptually relates to the golden ratio/Fibonacci numbers versus not so.

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	CROSSREFS	`BP800 is the metaconcept page for this concept.` `Adjacent-numbered pages: BP792 BP793 BP794 BP795 BP796 * BP798 BP799 BP800 BP801 BP802`
	KEYWORD	`abstract, math, concept, experimental`
	CONCEPT	`golden_ratio (info \| search)`
	AUTHOR	`Aaron David Fairbanks`

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