The On-Line Encyclopedia of Bongard Problems

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Four out of five objects are circles vs. never four out of five objects are circles.

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	CROSSREFS	`Adjacent-numbered pages: BP105 BP106 BP107 BP108 BP109 * BP111 BP112 BP113 BP114 BP115`
	KEYWORD	`number, traditional`
	CONCEPT	`number (info \| search)`
	AUTHOR	`Douglas R. Hofstadter`

All nonempty boxes have same number of boxes in them vs. not so.

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	CROSSREFS	`Adjacent-numbered pages: BP1055 BP1056 BP1057 BP1058 BP1059 * BP1061 BP1062 BP1063 BP1064 BP1065`
	KEYWORD	`perfect, infinitedetail`
	CONCEPT	`fractal (info \| search),` `recursion (info \| search),` `self-reference (info \| search)`
	WORLD	`recursive_boxes [smaller \| same \| bigger]`
	AUTHOR	`Aaron David Fairbanks`

The long axes of the ellipse and rectangle are perpendicular vs. the long axes of the ellipse and rectangle are parallel.

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	REFERENCE	`M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 238.`
	CROSSREFS	`Adjacent-numbered pages: BP68 BP69 BP70 BP71 BP72 * BP74 BP75 BP76 BP77 BP78`
	KEYWORD	`noisy, finished, traditional, bongard`
	CONCEPT	`imagined_line_or_curve (info \| search),` `imagined_entity (info \| search),` `parallel (info \| search),` `perpendicular (info \| search)`
	WORLD	`[smaller \| same \| bigger]`
	AUTHOR	`Mikhail M. Bongard`

Concave if proximal border points are connected vs. convex if proximal border points are connected.

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	CROSSREFS	`Adjacent-numbered pages: BP177 BP178 BP179 BP180 BP181 * BP183 BP184 BP185 BP186 BP187`
	KEYWORD	`nice, traditional`
	CONCEPT	`concave_convex_angle (info \| search),` `near_far (info \| search)`
	AUTHOR	`Harry E. Foundalis`

Rectangle left after tiling all black shapes into empty square vs. triangle left after tiling all black shapes into empty square.

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	CROSSREFS	`Adjacent-numbered pages: BP278 BP279 BP280 BP281 BP282 * BP284 BP285 BP286 BP287 BP288`
	KEYWORD	`traditional`
	CONCEPT	`outlined_filled (info \| search),` `tiling (info \| search),` `texture (info \| search),` `triangle (info \| search)`
	AUTHOR	`Sang-Joon Yoon`

Acceleration and deceleration vs. constant speed.

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	CROSSREFS	`Adjacent-numbered pages: BP295 BP296 BP297 BP298 BP299 * BP301 BP302 BP303 BP304 BP305`
	KEYWORD	`animated, experimental`
	CONCEPT	`acceleration (info \| search),` `size_increase_decrease (info \| search),` `speed (info \| search),` `real_motion (info \| search),` `motion (info \| search)`
	AUTHOR	`Harry E. Foundalis`

Identical figures vs. figures not identical.

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	REFERENCE	`M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 232.`
	CROSSREFS	`BP1222 is similar but allows the shapes to be different sizes.` `BP343 is about existence of a pair of identical shapes among many shapes.` `Adjacent-numbered pages: BP52 BP53 BP54 BP55 BP56 * BP58 BP59 BP60 BP61 BP62`
	KEYWORD	`nice, finished, unorderedpair, traditional, bongard`
	CONCEPT	`identical (info \| search),` `same_shape (info \| search),` `same (info \| search)`
	AUTHOR	`Mikhail M. Bongard`

Smiley face vs. not a smiley face.

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	CROSSREFS	`Adjacent-numbered pages: BP209 BP210 BP211 BP212 BP213 * BP215 BP216 BP217 BP218 BP219`
	KEYWORD	`less, culture`
	CONCEPT	`specific_style (info \| search),` `specificity (info \| search)`
	AUTHOR	`Giuseppe Insana`

A curve with one self-crossing vs. a curve without a self-crossing.

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	REFERENCE	`M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 223.`
	CROSSREFS	`BP1232 is almost exactly the same, but allowing for multiple curves and multiple self-crossings.` `Adjacent-numbered pages: BP25 BP26 BP27 BP28 BP29 * BP31 BP32 BP33 BP34 BP35`
	KEYWORD	`nice, finished, traditional, bongard`
	CONCEPT	`x-crossing (info \| search),` `existence (info \| search)`
	WORLD	`crosscurve [smaller \| same \| bigger] zoom in right (curve_or_outline)`
	AUTHOR	`Mikhail M. Bongard`

Circles on same side of curve vs. circles on different sides of curves.

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	CROSSREFS	`Adjacent-numbered pages: BP130 BP131 BP132 BP133 BP134 * BP136 BP137 BP138 BP139 BP140`
	KEYWORD	`noisy, traditional`
	CONCEPT	`on_sides_of_curve (info \| search),` `separation_of_joined_objects (info \| search)`
	AUTHOR	`Douglas R. Hofstadter`

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