Search: author:Aaron David Fairbanks
|
|
Sort:
recent
Format:
long
Filter:
(all | no meta | meta)
Mode:
(words | no words)
|
|
|
|
|
BP527 |
| Each black filled circle belongs to exactly one large circle outline vs. not so. |
|
| |
|
|
|
|
|
BP525 |
| Some zoomed-in (cropped) version of an image of a hollow circle vs. not so. |
|
| |
|
|
|
|
|
BP524 |
| Same objects are shown lined up in both "universes" vs. the two "universes" are not aligned. |
|
| |
|
|
COMMENTS
|
All examples are black and white images, partitioned by lines such that crossing a line switches the background color and the foreground color. (Sometimes it is not clear which is "background" and which is "foreground".) In the space between two dividing lines, there is a black and white scene; the outlines of the shapes are curves dividing black from white. Images sorted left are such that each outline-curve present in a scene that comes in contact non-tangentially with a dividing line continues across the dividing line, across which the black and white sides of it switch.
Examples (especially right) usually have ambiguity to some degree; depending on how a person reads the images, dividing lines may be confused for curves within a scene. |
|
CROSSREFS
|
Adjacent-numbered pages:
BP519 BP520 BP521 BP522 BP523  *  BP525 BP526 BP527 BP528 BP529
|
|
KEYWORD
|
fuzzy, unwordable, anticomputer, traditional, blackwhiteinvariant
|
|
AUTHOR
|
Aaron David Fairbanks
|
|
|
|
|
BP523 |
| Same amount of black in any vertical slice vs. varying amounts of black in vertical slices. |
|
| |
|
|
|
|
|
BP505 |
| Number indicated on number line conceptually related to image shown below vs. not so. |
|
| |
|
|
|
|
|
BP383 |
| When the shape is removed from the dots, the dots give enough information to place the shape back where it was vs. not so. |
|
| |
|
|
|
|
|
BP382 |
| No knot (unknot) vs. knot. |
|
| |
|
|
|
|
|
BP381 |
| Adding the top two waves yields the bottom wave vs. not so. |
|
| |
|
|
| |
|
|
|
|
|
|
|
|