Search: +meta:BP534
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Displaying 1-10 of 44 results found.
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BP7 |
| Taller than wide vs. wider than tall. |
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COMMENTS
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All examples in this Bongard Problem are oblong connected figures made up of some curves.
Shapes as tall as they are wide would be ambiguous. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 216. |
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CROSSREFS
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Adjacent-numbered pages:
BP2 BP3 BP4 BP5 BP6  *  BP8 BP9 BP10 BP11 BP12
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KEYWORD
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easy, nice, dual, handed, rotate, stretch, finished, traditional, bongard
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CONCEPT
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horizontal (info | search), line_slope (info | search), vertical (info | search), quantity_comparison (info | search)
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WORLD
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Multiple options: figure_made_of_curves [smaller | same | bigger], oblong_axis_aligned_figure_made_of_curves [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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BP8 |
| Positioned right vs. positioned left. |
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COMMENTS
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Center of shape's x coordinate is higher than zero (where zero is the middle of the picture).
All examples in this Bongard Problem are small shape outlines.
This is the first Bongard Problem in which absolute positioning is relevant.
Shapes close to the middle would be ambiguous. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 216. |
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CROSSREFS
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Adjacent-numbered pages:
BP3 BP4 BP5 BP6 BP7  *  BP9 BP10 BP11 BP12 BP13
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KEYWORD
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easy, nice, dual, handed, leftright, boundingbox, finished, traditional, absoluteposition, bongard
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CONCEPT
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absolute_position (info | search), bounding_box (info | search), coordinate (info | search), left_right (info | search)
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WORLD
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small_outline [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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BP19 |
| Horizontal pinch vs. vertical pinch. |
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COMMENTS
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All examples in this Bongard Problem are outlines of shapes. More specifically, all examples have a thin horizontal or vertical bridge in the middle connecting two wide ends. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 220. |
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CROSSREFS
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Adjacent-numbered pages:
BP14 BP15 BP16 BP17 BP18  *  BP20 BP21 BP22 BP23 BP24
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KEYWORD
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dual, rotate, finished, traditional, bongard
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CONCEPT
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horizontal (info | search), neck_narrowing (info | search), vertical (info | search)
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WORLD
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[smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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BP36 |
| Triangle above circle vs. circle above triangle. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 225. |
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CROSSREFS
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Adjacent-numbered pages:
BP31 BP32 BP33 BP34 BP35  *  BP37 BP38 BP39 BP40 BP41
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KEYWORD
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spectrum, dual, handed, updown, rotate, finished, orderedpair, traditional, continuous, viceversa, bongard
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CONCEPT
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above_below (info | search), triangle (info | search), quantity_comparison (info | search)
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WORLD
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one_circle_one_eq-tri_small_outlines [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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BP43 |
| The vibration amplitude increases from left to right vs. the vibration amplitude decreases from left to right. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 228. |
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CROSSREFS
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Adjacent-numbered pages:
BP38 BP39 BP40 BP41 BP42  *  BP44 BP45 BP46 BP47 BP48
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KEYWORD
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dual, handed, leftright, finished, traditional, viceversa, bongard
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CONCEPT
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size_increase_decrease (info | search), horizontal (info | search), leftward_rightward (info | search), regular_irregular_change (info | search), tracing_line_or_curve (info | search), wave (info | search)
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WORLD
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wave_horizontal_increase_or_decrease [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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BP45 |
| Outline figure on top of solid black figure vs. black figure on top of outline figure. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 228. |
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CROSSREFS
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Adjacent-numbered pages:
BP40 BP41 BP42 BP43 BP44  *  BP46 BP47 BP48 BP49 BP50
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KEYWORD
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dual, finished, traditional, viceversa, bongard
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CONCEPT
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3d_front_back (info | search), outlined_filled (info | search), objects_overlap (info | search), overlap (info | search), texture (info | search)
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AUTHOR
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Mikhail M. Bongard
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BP54 |
| A cross, circle, and triangle arranged counterclockwise vs. a cross, circle, and triangle arranged clockwise. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 231. |
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CROSSREFS
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Adjacent-numbered pages:
BP49 BP50 BP51 BP52 BP53  *  BP55 BP56 BP57 BP58 BP59
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KEYWORD
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dual, handed, finished, orderedtriplet, traditional, bongard
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CONCEPT
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turn_orientation (info | search), rotational_direction (info | search), triangle (info | search), direction (info | search)
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AUTHOR
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Mikhail M. Bongard
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BP55 |
| A circle is at the left of the cavity if you look from inside the figure vs. a circle is at the right of the cavity if you look from inside the figure. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 232. |
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CROSSREFS
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Adjacent-numbered pages:
BP50 BP51 BP52 BP53 BP54  *  BP56 BP57 BP58 BP59 BP60
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KEYWORD
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dual, handed, finished, traditional, bongard
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CONCEPT
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indentation (info | search), on_line_or_curve (info | search), separation_of_joined_objects (info | search), tracing_line_or_curve (info | search), rotational_direction (info | search), direction (info | search)
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AUTHOR
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Mikhail M. Bongard
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BP63 |
| Shading thicker on the right side vs. shading thicker on the left side. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 234. |
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CROSSREFS
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Adjacent-numbered pages:
BP58 BP59 BP60 BP61 BP62  *  BP64 BP65 BP66 BP67 BP68
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KEYWORD
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dual, handed, finished, traditional, viceversa, bongard
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CONCEPT
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left_right (info | search), curve_texture (info | search), texture (info | search)
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AUTHOR
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Mikhail M. Bongard
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BP64 |
| A cross is located on the extension of the ellipse axis vs. a circle is located on the extension of the ellipse axis. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 235. |
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CROSSREFS
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Adjacent-numbered pages:
BP59 BP60 BP61 BP62 BP63  *  BP65 BP66 BP67 BP68 BP69
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KEYWORD
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noisy, dual, finished, orderedtriplet, traditional, bongard
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CONCEPT
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collinear (info | search), imagined_line_or_curve (info | search), imagined_entity (info | search)
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WORLD
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[smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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