Search: keyword:stable
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COMMENTS
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The meaning of "big" left intentionally vague. There are various specific ways to define size, such as diameter, minimum distance between points on edge, and size of smallest bounding circle.
All examples in this Bongard Problem are single simple shapes, either outlines or solid black.
All examples on the same side are approximately the same size. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 214. |
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CROSSREFS
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Adjacent-numbered pages:
BP1 * BP3 BP4 BP5 BP6 BP7
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KEYWORD
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easy, nice, fuzzy, spectrum, size, stable, finished, traditional, continuous, bongard
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CONCEPT
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size (info | search)
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WORLD
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outline_or_fill_shape [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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| BP9 |
| Non-wiggly outline vs. wiggly outline. |
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COMMENTS
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"Wiggly" means a high number of small concavities adjacent to one another all around the outline.
All examples in this Bongard Problem are shape outlines.
Shapes with outlines that are only wiggly within partial sections would be ambiguous. Shapes with outlines that have many medium-size concavities would be ambiguous. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 216. |
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CROSSREFS
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Adjacent-numbered pages:
BP4 BP5 BP6 BP7 BP8 * BP10 BP11 BP12 BP13 BP14
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KEYWORD
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easy, nice, fuzzy, stable, world, finished, traditional, bongard
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CONCEPT
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curve_texture (info | search),
texture (info | search)
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WORLD
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Multiple options:
mediumsize_centered_outline [smaller | same | bigger],
shape_outline [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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| BP11 |
| Thin and elongated vs. compact. |
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COMMENTS
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All examples in this Bongard Problem are shape outlines. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 217. |
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CROSSREFS
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Adjacent-numbered pages:
BP6 BP7 BP8 BP9 BP10 * BP12 BP13 BP14 BP15 BP16
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KEYWORD
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nice, fuzzy, spectrum, stretch, stable, world, finished, traditional, bongard
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CONCEPT
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elongated_compact (info | search)
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WORLD
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shape_outline [smaller | same | bigger]
zoom in left (elongated_outline)
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AUTHOR
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Mikhail M. Bongard
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| BP14 |
| All big individual figures vs. all small individual figures. |
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COMMENTS
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All examples in this Problem show one or more connected figures made up of lines.
Some big shapes and some small shapes would be ambiguous. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 218. |
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CROSSREFS
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See BP2 for the same idea using one shape.
Adjacent-numbered pages:
BP9 BP10 BP11 BP12 BP13 * BP15 BP16 BP17 BP18 BP19
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KEYWORD
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fuzzy, size, stable, finished, traditional, bongard
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CONCEPT
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all (info | search),
length_line_or_curve (info | search),
size (info | search)
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WORLD
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curves_drawing [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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| BP34 |
| A large hole vs. a small hole. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 225. |
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CROSSREFS
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Adjacent-numbered pages:
BP29 BP30 BP31 BP32 BP33 * BP35 BP36 BP37 BP38 BP39
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KEYWORD
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spectrum, stable, finished, traditional, bongard
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CONCEPT
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hole (info | search),
size (info | search),
texture (info | search)
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WORLD
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shape_one_hole [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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| BP62 |
| Ends of the curve are far apart vs. ends of the curve are close together. |
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REFERENCE
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M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 234. |
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CROSSREFS
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Adjacent-numbered pages:
BP57 BP58 BP59 BP60 BP61 * BP63 BP64 BP65 BP66 BP67
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KEYWORD
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nice, fuzzy, spectrum, stretch, stable, finished, traditional, continuous, bongard
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CONCEPT
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line_or_curve_endpoint (info | search),
near_far (info | search)
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WORLD
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curve [smaller | same | bigger]
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AUTHOR
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Mikhail M. Bongard
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