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Search: concept:specific_style
Displaying 1-6 of 6 results found.     page 1
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BP153 Predominance of curves and hook-like endings vs. predominance of straight lines and staple-like endings.
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP148 BP149 BP150 BP151 BP152  *  BP154 BP155 BP156 BP157 BP158

KEYWORD

traditional

CONCEPT line_or_curve_endpoint (info | search),
specific_style (info | search),
specificity (info | search)

AUTHOR

Douglas R. Hofstadter

BP154 Wedged endings vs. rounded endings.
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP149 BP150 BP151 BP152 BP153  *  BP155 BP156 BP157 BP158 BP159

KEYWORD

traditional

CONCEPT curved_straight (info | search),
line_or_curve_endpoint (info | search),
imagined_line_or_curve (info | search),
imagined_entity (info | search),
specific_style (info | search),
specificity (info | search)

AUTHOR

Douglas R. Hofstadter

BP155 Curves are longer than straight lines vs. curves are shorter than straight lines.
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP150 BP151 BP152 BP153 BP154  *  BP156 BP157 BP158 BP159 BP160

KEYWORD

traditional

CONCEPT curved_straight (info | search),
length_line_or_curve (info | search),
specific_style (info | search),
specificity (info | search)

AUTHOR

Douglas R. Hofstadter

BP197 Some style (font) vs. another style (font).
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP192 BP193 BP194 BP195 BP196  *  BP198 BP199 BP200 BP201 BP202

KEYWORD

dual, arbitrary, anticomputer, contributepairs

CONCEPT specific_style (info | search),
specificity (info | search)

AUTHOR

Harry E. Foundalis

BP214 Smiley face vs. not a smiley face.
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP209 BP210 BP211 BP212 BP213  *  BP215 BP216 BP217 BP218 BP219

KEYWORD

less, culture

CONCEPT specific_style (info | search),
specificity (info | search)

AUTHOR

Giuseppe Insana

BP228 After rotating so that the longest line is horizontal, there is a left arm raised and a weight down vs. after rotating so that the longest line is horizontal, there is a left arm down and a weight raised.
(edit; present; nest [left/right]; search; history)
CROSSREFS

Adjacent-numbered pages:
BP223 BP224 BP225 BP226 BP227  *  BP229 BP230 BP231 BP232 BP233

KEYWORD

convoluted, traditional

CONCEPT rotation_required (info | search),
specific_style (info | search),
specificity (info | search)

AUTHOR

Giuseppe Insana

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