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Search: keyword:viceversa
Displaying 1-10 of 27 results found. ( next )     page 1 2 3
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BP28 More solid black circles vs. more outline circles.
(edit; present; nest [left/right]; search; history)
COMMENTS

All examples have at least two filled shapes and two outlines.

REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 223.

CROSSREFS

Adjacent-numbered pages:
BP23 BP24 BP25 BP26 BP27  *  BP29 BP30 BP31 BP32 BP33

KEYWORD

spectrum, finished, traditional, discrete, viceversa, bongard

CONCEPT and (info | search),
number (info | search),
outlined_filled (info | search),
cluster (info | search),
texture (info | search),
quantity_comparison (info | search)

WORLD

circle_eq-tri_small_some_outline_some_fill [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP29 There are more small circles inside the figure outline than outside vs. there are fewer small circles inside the figure outline than outside.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 223.

CROSSREFS

Adjacent-numbered pages:
BP24 BP25 BP26 BP27 BP28  *  BP30 BP31 BP32 BP33 BP34

KEYWORD

spectrum, finished, traditional, discrete, viceversa, bongard

CONCEPT inside (info | search),
interior_exterior (info | search),
number (info | search),
shape_cluster (info | search),
cluster (info | search),
quantity_comparison (info | search)

WORLD

dot_outlines_and_larger_outline_nest [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP36 Triangle above circle vs. circle above triangle.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 225.

CROSSREFS

Adjacent-numbered pages:
BP31 BP32 BP33 BP34 BP35  *  BP37 BP38 BP39 BP40 BP41

KEYWORD

spectrum, dual, handed, updown, rotate, finished, orderedpair, traditional, continuous, viceversa, bongard

CONCEPT above_below (info | search),
triangle (info | search),
quantity_comparison (info | search)

WORLD

one_circle_one_eq-tri_small_outlines [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP37 Triangle above circle vs. circle above triangle.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 226.

CROSSREFS

Adjacent-numbered pages:
BP32 BP33 BP34 BP35 BP36  *  BP38 BP39 BP40 BP41 BP42

KEYWORD

noisy, spectrum, finished, traditional, continuous, viceversa, bongard

CONCEPT above_below (info | search),
triangle (info | search),
quantity_comparison (info | search)

WORLD

one_circle_one_square_one_eq-tri_small_outlines [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP38 Triangle larger than circle vs. triangle smaller than circle.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 226.

CROSSREFS

Adjacent-numbered pages:
BP33 BP34 BP35 BP36 BP37  *  BP39 BP40 BP41 BP42 BP43

KEYWORD

spectrum, finished, orderedpair, traditional, continuous, viceversa, bongard

CONCEPT size (info | search),
triangle (info | search),
quantity_comparison (info | search)

WORLD

one_circle_outline_one_triangle_outline_nest [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP43 The vibration amplitude increases from left to right vs. the vibration amplitude decreases from left to right.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 228.

CROSSREFS

Adjacent-numbered pages:
BP38 BP39 BP40 BP41 BP42  *  BP44 BP45 BP46 BP47 BP48

KEYWORD

dual, handed, leftright, finished, traditional, viceversa, bongard

CONCEPT size_increase_decrease (info | search),
horizontal (info | search),
leftward_rightward (info | search),
regular_irregular_change (info | search),
tracing_line_or_curve (info | search),
wave (info | search)

WORLD

wave_horizontal_increase_or_decrease [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP45 Outline figure on top of solid black figure vs. black figure on top of outline figure.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 228.

CROSSREFS

Adjacent-numbered pages:
BP40 BP41 BP42 BP43 BP44  *  BP46 BP47 BP48 BP49 BP50

KEYWORD

dual, finished, traditional, viceversa, bongard

CONCEPT 3d_front_back (info | search),
outlined_filled (info | search),
objects_overlap (info | search),
overlap (info | search),
texture (info | search)

AUTHOR

Mikhail M. Bongard

BP46 Triangle on top of the circle vs. circle on top of the triangle.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 229.

CROSSREFS

Adjacent-numbered pages:
BP41 BP42 BP43 BP44 BP45  *  BP47 BP48 BP49 BP50 BP51

KEYWORD

finished, traditional, viceversa, bongard

CONCEPT 3d_front_back (info | search),
objects_overlap (info | search),
overlap (info | search),
triangle (info | search)

AUTHOR

Mikhail M. Bongard

BP47 Triangle inside of the circle vs. circle inside of the triangle.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 229.

CROSSREFS

Adjacent-numbered pages:
BP42 BP43 BP44 BP45 BP46  *  BP48 BP49 BP50 BP51 BP52

KEYWORD

finished, traditional, viceversa, bongard

CONCEPT inside (info | search),
triangle (info | search)

WORLD

circle_triangle_outlines_nest [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

BP48 Solid dark figures above the outline figures vs. outline figures above the solid dark figures.
(edit; present; nest [left/right]; search; history)
REFERENCE

M. M. Bongard, Pattern Recognition, Spartan Books, 1970, p. 229.

CROSSREFS

Adjacent-numbered pages:
BP43 BP44 BP45 BP46 BP47  *  BP49 BP50 BP51 BP52 BP53

KEYWORD

noisy, finished, traditional, viceversa, bongard

CONCEPT above_below (info | search),
average (info | search),
outlined_filled (info | search),
feature_cluster (info | search),
cluster (info | search),
texture (info | search)

WORLD

circle_square_eq-tri_small_some_outline_some_fill [smaller | same | bigger]

AUTHOR

Mikhail M. Bongard

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